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Scope and Contents From the Collection:

Collection contains photographs taken by Lida Moser of her friends, artist John Koch and pianist Dora Zaslavsky Koch, at their New York City apartment between 1954 and 1974. The collection also includes a small group of photocopied material about Moser and Koch. This material is largely assorted newspaper articles and gallery exhibition announcements from 1960-2009.

Scope and Contents From the Collection:

Collection contains photographs taken by Nat Finkelstein of Andy Warhol and various others between 1964 and 1967. Published in 1989.

Scope and Contents From the Collection:

Collection contains photographs taken by Nat Finkelstein of Andy Warhol and various others between 1964 and 1967. Published in 1989.

Scope and Contents From the Collection:

Collection contains photographs taken by Nat Finkelstein of Andy Warhol and various others between 1964 and 1967. Published in 1989.

Scope and Contents From the Collection:

Collection contains photographs taken by Nat Finkelstein of Andy Warhol and various others between 1964 and 1967. Published in 1989.

Scope and Contents From the Collection:

Collection contains photographs taken by Nat Finkelstein of Andy Warhol and various others between 1964 and 1967. Published in 1989.

Scope and Contents From the Collection:

Materials include records, notes, reports, photographs, and exhibition lists primarily related to the Alfred Stieglitz Collection, Fisk University, and Georgia O'Keeffe.

Scope and Contents From the Collection:

Collection includes models, notes, correspondence, sketches, photographs, and invoices primarily related to the construction of the Fly's Eye Dome designed by R. Buckminster Fuller.

Scope and Contents

One Bachman-Wilson House construction photography book consisting of forty-two photographs with negatives; photographs (1954-1955) by Robert A. Crovelli

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Correspondence between FVOC and photographers of fine art; correspondence between FVOC and National Gallery of art concerning index of mural photographs; copy of Smithsonian Institution National Museum of American Art Juley Preservation project expenditures (1975-1980).

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Photographs from the Jackson Pollock exhibitions at MoMA (1967); Photographs from New Deal Art Projects book opening (1972); Photographs from Jackson Pollock catalogue raisonné party (1978); Photograph of Thomas Hart Benton and FVOC; Portrait of Thomas Hart Benton (1930).

Thomas H. Benton artist letters. Letters innclude correspondence between Benton and FVOC; Benton and James T. Valliere.

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Black and white plates of Pollock drawings/paintings created between 1950 and 1956 with tombstone informatio; to be included in catalogue raisonné, vol. 2.

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Scans of Pollock's watercolors, drawings, and paintings created between 1930 and 1941 with tombstone information to be included in Jackson Pollock catalogue raisonné, vol. 2.

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Black and white scans of Jackson Pollock’s other works, including his ceramics, paintings, mixed media works, collages, and sculptures.

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Black and white photographs of fake Pollock paintings to be included in catalogue raisonné , vol. 4.

Scope and Contents From the Collection:

Materials include master checklists; exhibition design materials; installation images; and publications pertainting to exhibitions organized and hosted by Crystal Bridges Museum of American Art in 2015.

Scope and Contents From the Collection:

Materials include master checklists; exhibition design materials; installation images; and publications pertainting to exhibitions organized and hosted by Crystal Bridges Museum of American Art in 2017.

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Preliminary outlines for FVOC’s book, Jackson Pollock: Down to the Weave

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Correspondence; copy of essay by FVOC, “Jackson Pollock’s Untitled 1951 Collage; photocopies of Pollock paintings

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Letters concerning PhD dissertation and John Graham contract at John Hopkins University Press 1965/67; abstract of dissertation and contracts; correspondence between FVOC and John Hopkins University.

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Pollock exhibition catalogues; negatives of Pollock paintings; cutouts of Pollock paintings; folder with black and white Pollock prints in Lee Krasner collection; (2) object checklists for Francis V. O'Connor's Jackson Pollock catalogue raisonné.

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Copy of FVOC essay, “Protecting Jackson Pollock”; FVOC notes; news articles; newspaper clippings; correspondence; FVOC lecture on “Forensic Connoisseurship, Jackson Pollock, and the Authentic Eye” (State University of New York at Stony Brook, 2012); speaker contracts; correspondence; essay on Thomas Hart Benton and Jackson Pollock

Scope and Contents Press releases; FVOC notes; bibliographies on authenticity and art prepared by FVOC; Pollock authentication legal case docs; photocopies from Art Law book; photocopy of chapter “Art and Authenticity” by Nelson Goodman; Independent Scholar 2000 journal; magazines on authenticity and art Supplement no. 1, Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings, and Other Works (color plate images); copy of Jackson Pollock monograph by Frank O’Hara; FVOC article, “Jackson Pollock’s Mural...

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Copies of "FVOC Narrative of Activities pertinent to Jackson Pollock"

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Negatives and photographs of Jackson Pollock paintings; short essays on Pollock paintings; FVOC research notes on Pollock works.